Author Archives: Barry Shuchter
2020 Drawing 29
2020 Drawing 28
2020 Drawing 27
Roots 06
Roots 05
Roots 04
Roots 03
Roots 02
Roots 01
2020 Drawing 26
2020 Drawing 25
2020 Drawing 24
2020 Drawing 23
2020 Drawing 22
2020 Drawing 21
2020 Drawing 20
2020 Drawing 19
2020 Drawing 18
2020 Drawing 17
2020 Drawing 16
2020 Drawing 15
2020 Drawing 14
2020 Drawing 13
2020 Drawing 12
2020 Drawing 11
2020 Drawing 10
2020 Drawing 9
2020 Drawing 8
2020 Drawing 7
2020 Drawing 6
2020 Drawing 5
2020 Drawing 4
2020 Drawing 3
2020 Drawing 2
2020 Drawing 1
Setting Up for the Dane County Farmers Market
Ice Fisher, Monona Bay
Abstract 5
Carrying a Table
Western Wisconsin Landscape
Rain Clouds
Ocean Currents
Dawn at Thacher Island South Tower
Treescape
Backshore
Forest
Good Harbor Beach
Mist
Winter Forest, Rockport
I saw this leaf-less forest scene on Thatcher Road heading to Rockport, MA, and was inspired by the tufts of brown grass surrounded by a circular grove.
Luminous Landscape
Asbestos Remover (with homage to Orozco)
This was one of my jobs – removing asbestos from the ceiling of the Baker Library at Dartmouth College. On the walls of the library was a great mural, The Epic of American Civilization, by José Celemente Orozco. In homage to Orozco, I copied a portion of his mural into my painting, making sure to add Orozco’s name at the bottom of the mural.
Barista
This is a scene from the old Caffe Paradiso in Harvard Square, Cambridge, MA. I spent many hours there — meditative, social, and delicious. In this painting, I wanted to portray the cafe as a customer would see it, with all the tantalizing food displayed in the cases, and also as the worker sees it, with all the dirty dishes piled up beneath the cash register.
Brattle Street, Cambridge
4 Jobs in 2 Blocks
These are four jobs I worked at over a time-span of several years — coffee bean shop, bookstore, ice cream parlor, and drugstore — and they all happened to be a couple of blocks from each other. I consider this my “post-modern” painting. The distances in time and space are conflated into a single surface.
Hospital Waiting Room 2 a.m.
Michigan
The left edge of the painting shows a view of a house and trees as seen from the ground level, with a cloud lingering above. The right side shows an aerial view of fields and streams, with the clouds floating below.
Scape 1
Scape 2
Under
White Cedar Swamp, Wellfleet
Winthrop Street, Cambridge
Bridge Rd., Eastham
Brookline, MA
Central Square, Cambridge
This was painted outdoors during an ArtsCentral event in Cambridge, MA, so that passers-by could watch and talk to artists at work. I made it a point to request a spot next to the Asmara Restaurant, so that I could take a break from painting to enjoy great Ethiopian food.
Depot Pond with Tree
En Route
Norwottuck, MA 2
Warren, MA
Chicago, Belmont North to Howard
Depot Pond
I don’t sign a painting until I consider it finished. I signed this one and went to sleep. That night, I dreamt of six specific changes to make to the painting – small things, but very particular. Make one of the greens in the corner more neutral. Make the circular shape in the center more triangular. When I woke up, I remembered all six changes and immediately made the changes to the painting. The painting had been merely acceptable; now it held together with consistency and without distraction, a serene representation of the scenery.
Depot Pond Cottage View
Eastham Floor
Eastham Interior 2
Halibut Point 2
Lighting a Candle
Lincoln, MA
Maynard, MA
Provincetown Interior
Poet’s Walk, NY
Route 65, Indiana
So. Swan St., Albany
Tibetan Wall Hanging
Word Crosser
Bakery Factory Workers
Diner
Eastham Interior
Forest Road at Night
Glare on Roadway
Halibut Point
Norwottuck, MA
Recliner
Used Book Seller
Branch over Charles
Espresso Drinker
Impersonator
In the kindest interpretation, these are two aspects of one person. There is the casual one in a t-shirt, jeans and sneakers, eating a slice of pizza. Then there is the formal one in jacket, slacks and shoes, holding a glass of wine, and surrounded by elegant furnishings. However, as the title implies, the casual one becomes an impersonator when he steps into the other’s shoes. And while he can spend some small amount of time enjoying a richer lifestyle, it is not his authentic self, to which he eventually returns.
Lead Smelting Company
Office Worker
Her body is too big for the cubicle she’s expected to work in, and her feet are too big for the shoes she’s expected to wear. She’s a vibrant person doing her best to endure a sterile working environment.
Sailor